RECORDING INFORMATION RESOURCES
ACOUSTICS AND
MONITORING
Room Acoustics,
Monitoring, Home Studios
ON MICS AND MIKING
Acoustic/Electric Guitar
Bands, Drums, Percussion
Bass, Vocals
ON MASTERING
The Mastering Process
DIY Mastering
Q&A’s
ON MIXING
Drum Mixes
Mix Studio
Multiband Dynamics
Tracking
FOR SONGWRITERS
Microphones
Music Business
Production Techniques
Recording Demos
FOR YOUR STUDIO
From The Outside In
Maintenance
Studio Infrastructure
Join us as we delve into the science and artistry of recording music. From interviews with top engineers, artists, and producers to discussions with inventors and innovators and Q&A sessions where we answer your gear questions, RECORDING PODCAST is all about recording!
The official online forum for the RECORDING Magazine community! This is the place to share tips and tricks, look at new gear, and ask questions about microphones, monitoring, studio acoustics, signal processing, and more… basically, all things recording studio related.
Here we expand on some of our magazine’s informative reviews. Read the review, see how we tested the gear, and see/hear it in action for yourself!
Interview with Gov’t Mule’s Warren Haynes and Producer John Paterno
Mastering The Perfect Mix!
• Intro to Headphones and Mixing
• All About Dolby Atmos Binaural Streaming
• Airstreams, Bulldogs and Bears—Ready for Mixdown
14 New Reviews
API • ATC • Audeze • Audient • AudioScape • Focal
Heritage Audio • KRK • Musik Hack • RME • sonible
Sound Anchors • Whitestone Audio Instruments
FEATURED REVIEW
A stone-cold classic clamp box lives again
Based in Daytona, Florida, AudioScape Engineering handcrafts a line of analog audio processors that leans heavily on classic designs of the past and, in a few cases, resurrects classic units that have yet to be tackled. Such is the case with our inaugural AudioScape review as we look at the AudioScape 260VU Compressor/Limiter.
FEATURED ARTICLE
A Producer’s Vocal Tracking Guide
Grammy-winning engineer Marc Urselli gives you the recipe for creating tasty tracks
Mixing is just like cooking. That’s right, I said it.
First you need great ingredients, ideally organic. Next you need good tools with which to actually do the cooking. You can definitely use some creativity, good taste (doh!) and a palate for experimenting and trying out new things. But most importantly you need the knowledge and experience that can only come with lots of cooking…
Auto-Tune® Empowers Spanish-Speaking Music Creators with New Dedicated Website and Tutorials
AES NY 2023: Solid State Logic to Debut New Hardware and Software, While Showcasing Next-Gen Consoles, Controllers, and Plug-Ins
Meyer Sound Joins the Celebrations for Telluride Film Festival’s 50th Anniversary
Grammy-winning Engineer Bobby Campbell Opens “Denver Atmos” All-Focal 7.1.4 Mix Room
Recording’s Readers’ Tracks is where respected engineer and producer Marty Peters listens to your recordings and critiques them, pointing out where and how you can make them better. Listen to the songs, read the reviews, and submit your own materials online via upload.
Artist Name: Gargoyle Circus Title: Killroy Was Here Genre: Pop-Punk
“Killroy Was Here” is a pop-punk track written by Andrea Parigi and performed by Parigi (Guitar and vox) and Cristiano Trionfera (guitar), as Gargoyle Circus.
REC’s six monthly Sound Advice bulletins offer great advice:
- On Vocals: Useful advice on recording the best vocals.
- On Guitars: Miked or direct, electric or acoustic, ways to capture great guitar sounds.
- On Drums: Great techniques for recording drums.
- On Mastering & Mixing: Practical mastering topics for at-home users and tips on how to mix better songs.
- On Acoustics: Learn how to make your room sound better.
- On Digital Audio: All about digital and computer audio.
SAMPLE BULLETINS
