RECORDING INFORMATION RESOURCES
ACOUSTICS AND
MONITORING
Room Acoustics,
Monitoring, Home Studios
ON MICS AND MIKING
Acoustic/Electric Guitar
Bands, Drums, Percussion
Bass, Vocals
ON MASTERING
The Mastering Process
DIY Mastering
Q&A’s
ON MIXING
Drum Mixes
Mix Studio
Multiband Dynamics
Tracking
FOR SONGWRITERS
Microphones
Music Business
Production Techniques
Recording Demos
FOR YOUR STUDIO
From The Outside In
Maintenance
Studio Infrastructure
Join us as we delve into the science and artistry of recording music. From interviews with top engineers, artists, and producers to discussions with inventors and innovators and Q&A sessions where we answer your gear questions, RECORDING PODCAST is all about recording!
The official online forum for the RECORDING Magazine community! This is the place to share tips and tricks, look at new gear, and ask questions about microphones, monitoring, studio acoustics, signal processing, and more… basically, all things recording studio related.
Here we expand on some of our magazine’s informative reviews. Read the review, see how we tested the gear, and see/hear it in action for yourself!
2023 NAMM Show Report—The Editors’ Take On What Was Great!
The Immersive Audio Issue!
• Tips, Tools and Affordable Solutions
• Next Generation Immersive Plugin Roundup
9 New Reviews
Dear Reality • Kali Audio • Massenburg DesignWorks • Neumann
Orchestral Tools • RME • Sound Particles • Steven Slate Audio
FEATURED REVIEW
A great sounding, well-connected USB 3 modern music interface
For the past 27 years, RME has been at the forefront of audio interface technology, from digital conversion to streaming audio covering every conceivable and rapidly changing connection protocol to networked audio. The company’s latest offering is the RME Fireface UFX III, a 188-Channel, 24-Bit/192 kHz high-end USB 3 Audio Interface.
FEATURED ARTICLE
Simple Computer Upgrades For The Recording Musician
The Digital Audio Workstation (DAW) is the centerpiece of the modern production studio. While many current Macs and off-the-shelf PCs are content creation capable, purchasing or building a machine specked to handle the demands of multi-track audio, sample libraries, and large plugin counts (not to mention video editing) is the road most of us will travel.
How Recording and Mix Engineer James Hunt Follows the Lead of Artists Like Kendrick Lamar and Baby Keem
Recording’s Readers’ Tracks is where respected engineer and producer Marty Peters listens to your recordings and critiques them, pointing out where and how you can make them better. Listen to the songs, read the reviews, and submit your own materials online via upload.
Artist Name: Will Keizer Title: Take What You Want Genre: Post-Punk/Art Rock/New Wave Revival
Will Keizer’s “Take What You Want” is a post-punk/art rock/new wave revival guitar-driven track that combines a number of musical styles into an interesting mélange. Will Keizer wrote the song, played all the instruments and mixed the track. It was mastered at Wolf Mastering in Nashville, TN.
REC’s six monthly Sound Advice bulletins offer great advice:
- On Vocals: Useful advice on recording the best vocals.
- On Guitars: Miked or direct, electric or acoustic, ways to capture great guitar sounds.
- On Drums: Great techniques for recording drums.
- On Mastering & Mixing: Practical mastering topics for at-home users and tips on how to mix better songs.
- On Acoustics: Learn how to make your room sound better.
- On Digital Audio: All about digital and computer audio.
SAMPLE BULLETINS
