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Home » Recording’s Readers’ Tracks » Robert Spencer – “When I’m Bad I’m Better”

Robert Spencer


Artist Name: Robert Spencer    Title: When I’m Bad I’m Better    Genre:  Country    Rating:

Equipment Used

PC with Edirol (Roland) M-16DX mixer/interface running Cakewalk SONAR Platinum and PG Music Band-In-A-Box (bass, drums). Mics: Milab DC-96b (vocals and fiddle), Audio-Technica AT4040 (Taylor 412 acoustic guitar). Yamaha NS8 monitors, Audio-Technica ATH-M50 headphones. Fender Strat via DI, Casio WK7600 for piano part.


Production Notes & Credits

“When I’m Bad I’m Better” is a male vocal country song. Robert did it all in his home studio, except for the bass, which was played by Elizabeth Spencer.

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Reviewed By Marty Peters

Robert has submitted a pretty ambitious country song that leans more towards the J.J. Cale/Don Williams swing style than the “all hat, no cattle” modern-day version. Starting from the bottom, we dug the basic solid drum programming that Robert got from his Band-In-A-Box software. The deep tuned snare drum sound gives the track a nice feel and the deep tone on the toms followed suit. The bass guitar fills its support role nicely here, steady, with a rich tone that complements the drums.

The lead vocal is well recorded and present in the mix, befitting the genre. As for, the additional sound sources, the fiddle had a full tone that escaped the screech sometimes associated with the instrument. Both the vocal and fiddle were tracked using Robert’s Milab DC-96b large-capsule condenser mic, and its quality certainly shows here. We hear a very balanced sound on both the vocal and fiddle, minus any hyped high-mid/high frequency bump.

Moving on, the additional instruments, electric guitar and piano, suffer more from arrangement issues than tonal ones. The near constant “riffing” fills that Robert plays clutter up the proceedings bigtime to our ears… so much so that when the lead guitar solo does arrive, it lacks impact. Basically the electric guitar has been soloing throughout the song! Ditto for the piano. One last minor quibble: both the intro and ending of the song sounded unnecessarily abrupt to our ears.

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As we have continually pointed out in our monthly Spotlight feature, arrangements are a significant ingredient in the success or failure of a mix. Without a dedicated producer to advise when to “put down the brush,” it’s not difficult to pile things on.

We suggest that Robert revisit his mix, bearing in mind that “fills” are precisely that—sounds that fill spaces. Though there are always exceptions, the vocal/lyric has long been king in country music, and anything that continually detracts from it needs to be reined in. As for the short intro/ending, extending both would deliver a smoother product, in our opinion.



Grab that producer’s hat!



Robert Spencer,

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