Saying that, then, the 244-page tome that is THE PROFESSIONAL COMPOSER’S GUIDE looks at both the business and creativity of composing music. As an informative and engaging eBook, it is split into two sections; the first half (PART A: BUSINESS) explores elements of the music business (Chapter 1: An overview of the opportunities available through to Chapter 8: Registrations and royalties), while the second (PART B: CREATIVITY) covers creativity, including strategies to develop the craft of composing and producing music (Chapter 9: Creativity in composition through to Chapter 15: Down time and how to use it effectively). Wonderfully written, this comprehensive eBook is ideal for anyone who is interested in becoming a professional composer, or anyone who would like to refine or develop their technical and creative skills when writing music. Moreover, exclusive tips from Paul Thomson’s creative colleagues out on the frontline of media composition are interwoven thoughtfully throughout to lend credence to the author’s wise words, which themselves take in important advice proffered professionally from the recording engineer and orchestral contractor perspective.
Put it this way: while writing THE PROFESSIONAL COMPOSER’S GUIDE from the heart, the perfectly positioned Paul Thomson could creatively draw from a deep well of proven professionalism dating back to childhood piano playing, starting his musical training at an early age and touring the world as a chorister in Worcester Cathedral Choir; while still at school he achieved the highest grades of the Associated Board of the Royal Schools of Music in four instruments, including Grade 8 in the piano with distinction at the tender age of 11, quickly followed by further ‘8s’ in organ, clarinet, and singing, subsequently creating his first theatrical score for a piece by acclaimed French playwright Henri Ghéon, and writing the official fanfare for the 900th anniversary of the granting of Worcester’s Royal Charter. Continued studies with Dr Donald Hunt OBE (Officer of the Order of the British Empire), former Organist and Director of Music at Worcester Cathedral and authority on the music and life of Sir Edward Elgar; Dr Wyndham Thomas at Bristol University; and Professor Stephen Deutsch at Bournemouth University ultimately led Paul Thomson to achieving an MA (Master of Arts) graduate-level degree in Music. Making a move thereafter to London, he quickly established himself as a versatile composer and producer, working with most major and large independent record labels for whom he has produced albums for a number of artists.
As a commissioned composer, Paul Thomson has created music for feature films, including the multi-award-winning independent movie Love, Sex, and Missed Connections (2012) and the Slate Films/BFI production Half of a Yellow Sun (2013). He has also scored the BAFTA-winning BBC Drama — coproduction with BBC America — television mini series The Fades (2011), for which he won the RTS Award for Best Original Theme Music; the BBC One Drama television mini series The Interceptor (2015); The Marvellous World of Roald Dahl television movie for BBC Scotland (2016); Ways to Save the Planet — an episode from Discovery: Project Earth (2008), itself billed as being the most expensive production ever undertaken by Discovery Networks in association with Bank of America; and the acclaimed RDF documentary The Genius of Charles Darwin (2008). Even earlier, Paul Thomson was busy composing for six series of the popular ITV television drama Where the Heart Is (2000-2005). It is fair to say that there is huge demand for Paul Thomson’s music, making itself heard in so many top-rated television shows — spanning chat shows (Alan Carr: Chatty Man), gameshows (America’s Got Talent; Britain’s Got Talent; I’m a Celebrity, Get Me Out of Here!; The X Factor), and reality TV (Keeping up with The Kardashians; Snoop Dogg’s Father Hood; The Apprentice/Celebrity Apprentice, in which Paul Thomson himself appeared as the composer for the advertising task several times).
He has also composed and produced for Extreme Music, a production music arm of Sony Music Publishing that creates and licenses music for use in television, film, advertising, and online media, starting with a number of albums’ worth of content for Hollywood high-flyer Hans Zimmer’s Director’s Cuts collaboration, creating his own label later under the now-familiar name of Spitfire Audio (also through Extreme Music). Moving into video games, Paul Thomson has worked extensively with British developer Media Molecule and owners Sony Computer Entertainment in Europe and the USA as lead composer on the LittleBigPlanet franchise.
Far from last but not least in this whistle-stop tour through the edited highlights of his highly-creative career, co-founding Spitfire Audio with fellow media composer Christian Henson had Paul Thomson tangentially taking off in a different direction that originally saw the sound-specialising British music technology company concerned providing exclusive composing tools for A-list composers, eventually experiencing exponential growth to become today’s market leader in soundware with a global following. For Spitfire Audio, he has collaborated with musicians and soundsmiths as diverse as GRAMMY® Award-nominated American electronic music composer, software developer, DJ, film composer, and technologist Brian Transeau (a.k.a. BT); BAFTA-winning Icelandic composer and producer Ólafur Arnalds; renowned Red Hot Chilli Peppers drummer Chad Smith; classy Queen drumming deity Roger Taylor; GRAMMY® Award-winning American composer, conductor, and speaker Eric Whitacre; and multi-award-winning German film composer, record producer, and orchestral sampling godfather Hans Zimmer; plus, posthumously, English composer, ethnomusicologist, and self-styled musical explorer David Fanshawe. As a sought-after music technologist himself, he has also created bespoke sounds for American composer, conductor, and orchestrator James Horner’s score to the highest-grossing film of all time, Avatar (2009), and for the aforesaid Hans Zimmer’s score to director Christopher Nolan’s notable Oscar-winning Dunkirk (2017).
It is only fitting, therefore, that the genuinely heartfelt closing commentary concerning his achievements ably aiding authorship of THE PROFESSIONAL COMPOSER’S GUIDE should surely come from the markedly multi-talented man himself: “The act of creativity has many benefits, and composing can enrich your life in so many ways; at Spitfire Audio, our mission is to inspire a generation of composers, so I really hope that this book will help you towards that goal.”
Award-winning media composer and Spitfire Audio co-founder Paul Thomson’s THE PROFESSIONAL COMPOSER’S GUIDE is available to purchase as a must-read eBook via the Issuu self-service content creation and distribution platform for £49.00 GBP (inc. VAT)/$49.00 USD/€49.00 EUR (inc. VAT) here: https://www.spitfireaudio.com/the-professional-composers-guide/
Spitfire Audio Books — an imprint of Spitfire Audio Holdings Limited (‘Spitfire Audio’) — is also offering a 50% educational discount on THE PROFESSIONAL COMPOSER’S GUIDE eBook, details of which can be found on its dedicated webpage here: https://www.spitfireaudio.com/the-professional-composers-guide/
Watch Spitfire Audio’s premiere of THE PROFESSIONAL COMPOSER’S GUIDE — including its must-see interview with author Paul Thomson, providing further insight as to what is in the eBook itself as well as himself — here: https://youtu.be/4vEGOSbsOHk