“It’s been amazing working with Spacemap Go over the past year, exploring all that it can do,” says Grey. “It has really outperformed my expectations, for example, in the way you can automate sonic trajectories over time, capture that scene, and then move on to the next. And recalling everything is simple, as Spacemap Go integrates effortlessly with other software programs.”
The loudspeaker system comprises two ULTRA-X40™ main loudspeakers and two 900-LFC™ low-frequency control elements mounted on the container/stage, plus eight UP-4slim™ loudspeakers on the extended wings. The entire front end is extraordinarily simple: two wireless microphones for the performers, four DPA 4099 microphones for the instruments via preamps, and a vintage stereo reverb unit all feeding directly into the analog inputs of a GALAXY™ 816, along with 24 channels for electronic soundscapes from the Mac Mini via an AVB network connection.
“We’ve proven that you can set up a great system without a ton of outputs, and Spacemap Go is key because we can do it all without using a dedicated mixing console,” Grey continues. “Each scene in the show has a Spacemap Go Mix Snapshot with labelling, configuration, and Spacemaps assigned to the channels. We then perform the mix live on the iPad with Spacemap Go. When the Ringmaster is on top of the shipping container, we mix his position using a Spacemap that drives the X40s harder. When he comes down, we crossfade manually between two Spacemaps to bring the image down and achieve more gain before feedback by bringing up the UP4-slims and backing off the X40s with a slider.” QLab running on a Mac Mini provides audio playback via Milan AVB directly into the GALAXY, and is the show controller that recalls Spacemap Go Mix Snapshots in the GALAXY 816 and lighting as well as video cues hosted on a second Mac Mini.
Grey adds that he has been astonished at the spatial effects he could achieve using Spacemap Go, despite having less than sixty feet of spread between the far end loudspeakers. “It’s not really surround in this case, but more like panoramic stereo, but with depth to it,” he says. “When I put content through the ULTRA-X40 main speakers, to listen as a reference, it has good separation. But when I put it out into Spacemap, creating a trajectory across the open wings, it just opens up until it seems like it’s 50 feet wider than what it should be. It’s pretty amazing, when you come up with something conceptually and then translate it into the real world in a performance. That’s where Spacemap Go has definitely outdone itself.”
This mobile venue has become the stage for the entire Bandwagon 2 series of four weekend-long festivals across New York City. The New York Philharmonic partnered with six organizations and more than 100 artists to present 39 performances, spanning artistic disciplines from reggae, jazz, and opera to dance, poetry, theater, film, and visual art.
“There are so many curveballs that happen with the Bandwagon festival,” says Grey. “With the various acts that come through, we have to be flexible to mix on the fly. Spacemap Go makes this all possible.”
After a successful New York run, Birds in the Moon will make its West Coast premiere September 1–4, presented by The Broad Stage. The four outdoor performances will take place at Lot 27 in Santa Monica, CA.
Birds in the Moon is produced by Cath Brittan and directed by Elkhanah Pulitzer, with libretto by Júlia Canosa i Serra. The Container Stage and set for Birds in the Moon were designed and built by Chad Owens with video design by Deborah O’Grady, lighting design by David Finn and costume design by Christine Crook. It is presented in partnership with Meyer Sound, with additional support from DPA microphones. Audio consultant for the New York performances was Garth MacAleavey, resident sound designer and director of production at National Sawdust.
About Meyer Sound
Founded by John and Helen Meyer in 1979, Meyer Sound is a global leader in providing integrated solutions for sound reinforcement, spatial sound, acoustic systems, studio monitoring and high-end residential systems. Recognized as an audio technology pioneer, Meyer Sound was the first to introduce dedicated loudspeaker processors, source independent measurement, large-scale self-powered loudspeakers, and cardioid subwoofers, among other innovations. The premium professional brand maintains rigorous quality control in its design and manufacturing of sustainable solutions for concert touring and festivals, houses of worship, cinema, education, corporate offices and residential. Scientific research and innovative product development have earned more than 100 US and international patents along with numerous industry awards. Headquartered in Berkeley, California with operations globally, Meyer Sound is a company where employees are innovators and diversity, equity and inclusion are embraced in the workplace and the community.